A few other things from CP+ 2015

After I reported from the Fujifilm stand yesterday, here are a few non-Fujifilm related stuffs from CP+ 2015, in no particular order.

First, it felt to me as if there was less visitors than the previous years. You still had to queue to put your hands on some of the novelties recently announced, but apart from that the show floor was not overcrowded, which is a good thing for visitors but probably not a good news for exhibitors. The 3 previous days of the show might have been busier though.

It also felt as if exhibitors dialed down the extravaganza of the show as a whole. An obvious sign of this was the sharp decrease in the number of… wait for it… booth babes. From omnipresent the previous years, they were more discreet during this 2015 edition. When you come to think of it, it might be the reason why there were less visitors… But it made for a much better experience, as you did not have to go through a hoard of veteran babes-sharpshooters to go from one end to the other (special mention to “Octopus man”, a guy I usually see at such events wearing a rig on his back with 8 rings holding a flash, making him look like Spider-Man’s Doctor Octopus…).

A tip of the hat to Sony, who smartly attracted a large crowd to its stand, not with a bunch of teenage models, but with a fabricated large miniature landscape, with non-other than a plastic eagle spinning at high speed above it to test the speed of your AF system. I tried my luck with the Sony A6000, and indeed the AF was really impressive, even on a fast-moving subject. I’ve gotten used to the slower AF of Fuji’s cameras, so that was quite a refresher of memory for me. Fuji needs to make a leap forward in this space if they want to keep up with the competition.

The Olympus stand is traditionally a busy one, and so it was again this year. The manufacturer was letting visitors go hands-on with several samples of the recently announced OM-D E-M5 MkII. I have to say I have always been impressed by how much technology for a relatively affordable price Olympus has been packing in its flagship Micro4/3 cameras: 5-axis in-body stabilization, fast autofocus & good image quality. The new iteration of the E-M5 takes the same recope and push it a bit further. But… You still need to jump in menus to change useful settings. And yes, you can customize a lot of buttons to reduce this, but when you are a newbie to the system (like me) or you are using a test model on a show floor (like me as well), it can drive you crazy. It’s a pity though, as once the camera is set up in the mode you want, it performs like a wonder. That’s why I still praise the X-T1, despite of its slow AF relative to peers and somewhat “old” sensor, the important settings are right there at your fingertips: it does not get in the way.

Olympus OMD-EM5 MkII sample at ISO 1600:

A big space of the floor was dedicated to drones, a technology that keeps trending globally as it gets more reliable and easier to use (which also brings its own problems…). Surprisingly, it did not feel to me that the local crowd was very enthusiastic about this technology, with not so many people wandering the huge DJI stand for example.

The other company that had a bigger presence than last year was Lytro, who is clearly stepping up their marketing effort to support their ILLUM camera. Not sure they met the success they were hoping for though.

Epson was part of the companies who were somewhat less visible this year compared to previous years. They still had a huge stand, but, instead of showing off their printers, they were strongly focusing on their augmented reality “smart glasses” Moverio, which, to be frank, not many photographers care about compared to printers…

While taking the same space as usually, this CP+ 2015 somewhat felt more at human size, with much less noise/babes and more signal/informations. There is no Photokina in 2015, which means that CP+ 2016 might be a bit more exciting in terms of novelties/announcement. See you next year to confirm!

Complete report from the Fujifilm stand at CP+ 2015

For anything non-Fujifilm related at CP+ 2015, jump here.

CP+ is always an exciting time for Fujifilm users, as we usually get a pick to some of the upcoming X-series products, way before they hit the market. Granted, this is mainly work-in-progress, so there might be changes down the road (such as the infamous “no-OIS on the final version of the XF16-55mmF2.8” incident), but still the refreshed lens roadmap always gives a welcome clarity on the big picture (no pun intended!).

To me, and the long queue of people waiting for their turn, the highlight of Fujifilm’s stand at each CP+ is always the lens bar, where you can choose any XF lens that has already been officially released (so up to the XF16-55mmF2.8 this year), and try it on the X-series body of your choice. You can also try the X100’s line or Fuji’s compact cameras, if that is what you are interested in.

This year, Fujifilm had set up a stage with a Harley Davidson and a 2 models wearing high boots and tiny leather shorts posing around it. I want to make 2 quick comments about it.

The first one is that, right off the bat, this setup is awkward, if not creepy. You can argue that it is some sort of tradition in such show floors, and especially so in Japan, but still, with a little bit of thoughts there are better things to do in terms of concept, makeup and wardrobe than planting a big motorbike as a prop and a couple girls in tiny shorts around it. That’s the kind of setup you expect from companies who might have a good product but lack notoriety or marketing budget, but with Fujifilm we are used to a bit more of delicacy, if not intimacy, when it comes down to photography. I hope they pull out a better stage than that next year, and I’d be more than happy to contribute if they were to ask me.

The second point is a general points regarding most of the booths on the show floor. You get all those companies who spend an incredible amount of money to build an environment in which prospected buyers can test their products, in order to make them want to buy these products. Then why don’t they take the time to properly lit the stage properly from a photographic point-of-view? If you let people take well lit pictures, they are more likely to take test pictures that will make them want to buy your products. Lighting is important for photographers, so if you want to talk to them give them a well lit test situation. Some companies seem to get it more than others, hence Hasselblad going all the way as pairing with Profoto on their stand, so that when they demonstrate their more than $10k cameras they don’t do it with pictures that only get people go “blah”.

Why is that every time I start writing an article these days there is a rant that manages to sneak in? I guess I’m just passionate about those things, so unlike to complain about them as well… Let’s forget the rant and jump into the good stuffs that were on the Fuji stand please ๐Ÿ™‚

As I was saying before I derailed into a long segway, for me the main feature of Fuji’s stand at CP+ is the lens bar, so that’s where I headed into first. Since I had my own X-T1 with me, I could test all the lenses I wanted directly on my own body, which is awesome because that way you don’t have to lose 5min unwinding all the “automatic” settings they put by default on the test models. My first choice went to the just released XF16-55mmF2.8, which was the main reason I travelled to the exhibition center to begin with. This lens is well balanced on the X-T1 (with battery grip) and operates smoothly and quickly. The aperture ring clicks nicely as well. I still don’t understand why there is no OIS for “image quality” purpose, as any lens will give you a better image quality than a blurry image or an image in which you have to crank up the ISO like crazy… But it is what it is, so let’s move on.

I also took this opportunity to test the APD version of the XF56mm prime versus the standard version (which I own). Up until now, I had been completely underwhelmed by the comparisons I could find on the web between then2 lenses, as I could barely notice any difference. But looking at it directly on real samples, the difference is actually more obvious. You can clearly see that the bokeh on the APD version is “creamier”, while the standard version is rougher and more contrasty (something I have been complaining about in recent reviews). I am not sure if the APD version should cost twice as much as the standard version, but given the choice between the 2 lenses without any budget constraint I’d go with the APD version any day (unfortunately I do have budget constraints *sigh*…).

APD version:

Standard version:

I tested a few others of the older lenses just for my pleasure, and then explored the other areas of the booth. The most exciting part there for curious X-photographers was the new lens roadmap. As usual, Fujifilm was presenting mockups of the upcoming lenses on the roadmap.

In the very near future, we should get the announcement of 2 prime lenses: the XF16mmF1.4 and the XF90mmF2. Much to my surprise, the design of the latter has completely changed compared to what I had seen just a few months ago. The diameter of the lens has been reduced, while the length significantly increased (the previous version looked more like a fat cousin of XF56mmF1.2). The filter tread size decreased to 62mm from 72mm on the earlier prototypes. I have a feeling they could have made a faster prime with the initial design, though the lens was fatter and probably heavier, and I wished that’s what they had done (an XF90mmF1.2 for example). I’m only speculating though.

Towards the end of the year (or at least so it seems on the roadmap), we will get a weather resistant 35mm F2 prime, with a cool design in black or silver, and a 1.4x teleconverter that will pair nicely with my XF50-140mmF2.8 ๐Ÿ™‚

In 2016, we are now set to get the long awaited supertelephoto zoom, and a 120mm F2.8 macro lens. Just like for the 90mm prime, the design of the “supertelephoto zoom” has been completely revamped. The lens is now slimmer but longer. The focal length has changed as well, and the lens will now cover the 100-400mm lens. The maximum aperture is not yet final (well, the lens is still more than a year away, so nothing is really final at this stage), and in fact there was no mention of it on the ring around the front element of the prototype that was displayed. Note that there is no mention of the filter thread diameter as well, so that’s subject to change too. As a reminder, the previously exposed prototype was a 140-400mm F4-5.6 zoom, with an 86mm filter thread.

Half cuts of the XF50-140mmF2.8 and XF16-55mmF2.8 were also displayed, something that always excites the geek within me, though I am not even sure why ๐Ÿ™‚



Beyond the X-Series cameras, Fujifilm is very popular (at least in Japan) for its instant cameras (Hello Kitty version anyone?) and its printing stations (the big ones you find in the chains selling electronic products). The small Instax printer was one of the main attractions on that side of the booth, as anyone was invited to download Instax app and bring home a print from their phone, in order to demonstrate how easy the whole process is.

Last but not least, there were again a few renowned speakers telling their stories as they embraced the X-Series journey, though I did not have time to attend any of the keynotes this year. I just caught a glimpse of Tomasz Lazar’s one while I was queuing, and someone really needs to get him to smile more than that when he addresses a crowd of fans ๐Ÿ™‚

Overall, the Fujifilm booth was once again one of the most popular, though it seemed to me that there was less people visiting than last year. As usual, the Fuji staffs were all friendly and knowledgable, had no problem with English speakers, and were never pressing you to get away until you wanted to, which is really appreciated as it was clearly not the case everywhere. Fujifilm even gave away some free t-shirts this year (though they only had small sizes available by the time I got there…). Looking forward to next year’s show! ๐Ÿ™‚