FroKnowsPhoto, but FroDoesNotKnowFuji: Debunking Jared Polin’s misinformed X-H1 review [UPDATE: he has done it again]

Would a professional photographer ever show up to a job with a camera he does not know how to use?

I have warned in the past about the intrinsic limits of previews done by photographers – turned online influencers – due to their affiliation to Fujifilm (to various extents), but, on the flip side, there are even more obvious limits to the opinion of someone who discovers a new camera without any sort of interest to understand how to actually use it (aka “that’s how we do it with our Sony”). I don’t doubt the honesty of Jared’s X-H1 review, however it is so misguided that it gets misleading for the unaware viewer. Sure, you can’t expect every reviewer to be a master of the Fujifilm system, but if you keep on piling up user errors then every comment you make is totally worthless.

And in this instance Jared’s review misses the mark so widely that it is real painful to watch. If you are not faint-hearted, have a look for yourself:

Let’s bring back some facts to correct some uninformed opinions that were inspired by a mix of misconceptions and user errors.

Camera lock-ups

On a couple of occasions, Jared’s X-H1 freezes and he has no idea what is going on. In fact, at the time Jared released his video, the firmware bug behind those freezes had already been fixed. In follow-up comments to his video to answer the backlash triggered by his video, Jared pointed that at the time of recording the video, the bug-fix had not been released yet. Fair enough… however the CH shooting lockup bug itself was already well known and documented with a fix in the pipeline. Goes to character Your Honor (I might have watched too many episodes of The Good Wife lately), as it shows the reviewer was not familiar with the version of the product he was testing, and did not try reach out to Fujifilm for help about the issue (otherwise he would have been told about the bug).

Don’t get me wrong. Releasing a firmware version that will let the camera freeze on not-so-rare occasions, despite a very normal usage, is simply UNACCEPTABLE. While Fujifilm should be praised for firmware updates that go above and beyond, they should be held accountable when such a blocking issue (not only would the camera freeze, but on top,of that none of the images part of this burst would be recorded when that happened) goes through quality tests. We are not talking here about a bug that only happens on leap years if the user was standing on his left leg only when turning his camera ON on a Friday the 13th night with full moon… And that’s the point that Jared should have actually made instead of being dumbfounded.

Battery life

The Sony A7 iii has a much bigger battery, so yes the X-H1’s battery life compares poorly against it in that regards. Clearly, for a long time battery life has not been the forte of mirrorless cameras, and there is a reason why Fujifilm regularly updates their battery design, and why Sony decided to completely change the size of their batteries, instantly making all the spares of previous models’ owners obsolete for the newer versions. However, with that in mind, the X-H1’s battery life is not as horrendous as portrayed.

For casual shooters, if you go out shooting like a normal person instead of shooting and praying in CH mode all day long, you’re always better off with a spare battery in your pocket for safety, but chances are you probably won’t need it.

Now, if you are someone who shoots 1,000 images with the camera in boost mode every time you go out (or for the cases when you will need to do so), then you will need the battery grip, which will cost you extra cash (which may or may not be a no-no to you). While Jared mentions that the X-H1’s battery grip enables you to use 3 batteries in total (rather than 2 in total with most DSLR battery grips, as they are slotted into the camera’s battery compartment), he fails to explain that if you indeed get the battery grip, then you are all good and battery life is not an issue anymore. You can also use the battery grip as a charger to charge more batteries at the same time after a day of shooting, which is a side benefit.


There is so much to say here…

The focus points don’t go to the edges of the frame

The X-H1 has 325 AF points that basically cover the whole frame. However, Jared is causing himself to be confused by the combination of shooting mode and AF mode he is using. With the modes he chose when making this complain, the camera will only be using the phase detection area, which indeed does not cover the whole frame but 50% side to side and 75% top to bottom. Sure, 100% coverage would be ideal, and I would bet you get closer to that with the X-T3 that will be released before the end of the year with a new sensor. Nonetheless, you already have a nice phase detection area to work with with the X-H1, as far as real life usage goes.

I cannot move the focus point

Jared complains about that on couple occasions. Pure user error, his camera feed clearly shows that he is in face detection mode and a face has been correctly detected. To the unfamiliar viewer, this sounds like the camera’s joystick is not working, while in reality it all comes down to the user’s lack of understanding of the particular system he is using.

The focus jumps from one subject to another

Again, would suggest a potential user error but we don’t know the full extent of the custom AF settings he is using. In fact, since Jared does not mention those custom settings, it looks like he ignores their existence (or purposely decided to use the wrong one for his shooting scenario, which would not make any sense).

The eye AF focuses on the nose

Currently, Fujifilm’s eye AF is only available is single AF mode. It looks like Jared expects it to continuously focus after he has actually locked the focus. As a consequence, when Jared’s subject turns the head to the side, the image focus is on the plan of the nose, rather than on the eye. To be honest, on top of Jared’s lack of understanding of the AF modes of the camera, I am not even sure he realizes when he half-presses because the X-H1’s shutter button is very soft and sensitive compared to his usual cameras to reduce camera shake.


To be honest I am speechless about that one. I am not sure how a sane person can claim that turning a dedicated dial is slower than changing a setting in a menu. At the end of the day, if you prefer going into a menu rather than use the dedicated dials, more power to you, that’s user preference (and you can actually set up your X-H1 to operate like that if you so prefer!), but you can’t defy the laws of physics. In all honesty, given the fact that you get manual dedicated dial for ISO, Shutter Speed (on the body) and and Aperture (on the lens), any photographer not completely obtuse should be able to pick up a Fujifilm body and shoot with it without even having to think. Looking at Jared’s demise, it seems that this does not apply to people who have constrained their mind to the sub menus of a specific brand and want to shoot the same way with other brands to justify their mastery of one manufacturer’s secret handshake.

Also, Jared complains that the aperture ring on the lens is a negative because it could be inadvertently moved when taking the lens out of the bag… but it is actually a positive: you don’t even need to turn ON your camera to see your setting, it’s right there in front of your nose when you grab it. When you grab from your bag a camera with a lens that does not have an aperture ring, you don’t even know what the setting is, so you need to check it and adjust it anyway…

Cropped sensor is the end of the world

No it’s not, especially when you shoot on such a bright sunny day as he did in his video. This used to be relevant in the past, when graduating to full frame felt like riding the Tardis to a new space and time, but technology evolves faster than people can let go of old beliefs.

It’s one thing to pretend not to be able to multiply a focal length by 1.5x (even if you suck at maths you can still add half of the number without calculator…) for comical effect, but sitting at the feet of a skater to do a wide angle shot with a 90mm lens is beyond ridiculous, even if you are using a full frame camera. There would have been a great shot to take from this point of view with Fujifilm’s amazing 16mm f1.4 prime by the way. To the surprise of no one, he ends taking a standard portrait.

As far as noise is concerned, the size of the sensor is only one parameter. You still need to see how many pixels you cram on it, and even more importantly how efficient your signal processing is. In that sense, the fact that the Sony A7 III uses a backside illuminated sensor is of much more importance than just the larger size of its sensor, and I can’t wait to see this architecture being implemented in the next generation of Fujifilm X cameras, starting with the X-T3 this year. Beyond that, you should also consider how many readily available fast primes are available for each system – and at what price – so that you might not need to crank your ISO to the same level depending on the lens you actually have in your bag when shooting.

Moreover, even if you are blindly in love with a specific size of sensor, as far as the final output is concerned, you need to consider the fact that the Sony A7 III still has a low pass filter.

So, Fujifilm X-H1 or Sony A7 III?

For all the errors and flows within Jared’s review, I have to say that the most jarring aspect of it is that he frames it as a comparison to the Sony A7 III… without taking any shot with the Sony for comparison! At the end of the review, he seems more than happy with the results he got with the Fujifilm, isn’t it what should actually matter?

I will be honest with you, every time a new Sony camera is announced, it actually gets me interested… they must be some kind of wizards of the specs sheets! They put in all the exciting buzzwords you did not know you wanted to hear. On paper, the Sony A7 III at its price point sounds like great value… but then you need to factor in the price of the lenses, the quality of the customer support, the ergonomics designed with computer engineers in mind, etc.

Get in a store, and see how the camera feels in your hand. Rent the camera for a week. See if your friends are invested into one system, so that perhaps they could lend you some lenses you don’t own yourself when you need them… There are so many things that enter into account to choose your camera. Don’t discard Micro Four-Thirds camera for the wrong reasons either. Size does matter until it doesn’t. * insert here a “that’s what she said” joke*

Anyway, have fun or make a living with whatever camera you have at your disposal.

X-H1 or X-T2?

This is a far more interesting question for the people shooting Fujifilm, and one one that I have more authority to answer, owning both cameras while I never owned any Sony A7 camera. If you never shoot any handheld video, the X-T2 is the best value for you, especially with the discounts that will keep popping ahead of the X-T3’s announcement.

If you parse the net, the X-H1 is often described as Fujifilm’s camera for videographers. As I have explained in another post, I completely disagree with that, and even more so after the latest firmware of the X-T2 that upgraded its video capabilities. In my opinion, the X-H1 is still a camera for people who are primarily photographers, but also need to shoot some videos on occasions, more often than not handheld. If you are primarily a videographer, then what would lure you to the Fujifilm would rather be the cine lenses rather than any of their bodies.

Looking at Jared’s review, I would probably would have grabbed the smaller and lighter X-T2 to shoot his skateboard scenario, since he did not shoot any video. On a side note, i did not get what he said about the interview series he could not film with the X-H1 due to audio issues. I never had any issue using an external mic with my X-H1. If he had been more thorough in his approach to the review, he would have tested the camera earlier to get up to speed with a system he is not familiar with… while also checking that some gear he wants to use professionally works fine.

A cautionary tale

All in all, Jared completely dropped the ball with the review, but this is more an opportunity to take a step back and ponder about the reviews from the top photography channels on YouTube than a reason to throw him under the bus. I subscribe to his channel and I watch a good amount of the videos he puts out.

The takeaway here is that you should always consider the experience of who you are getting your advice from with a particular product/system/brand. Most of these people spend a ridiculously short amount of time with each product, so if they are too obtuse and unfamiliar with some brand they will miss all the marks. It should be obvious that if someone has been primarily shooting with a X-T2 over the past year, their opinion of the X-H1 will be much more informed after the same short amount of time. Unfortunately we live in an era ruled by algorithms trained in ranking cringy faces on video thumbnails rather than judge the interest of the content.

Meanwhile, if you see any other mistake in Jared’s review, leave a comment below to add to the grieving list…

FroDoesNotKnowFuji Dot Com, see ya!

UPDATE: Ooops Jared has done it again! Less than 24 hours after I published this article, the Fro uploaded his review of the XF90mm F2 prime lens. While Jared does give credit to the lens for the quality of its output – and if you ignore half of the video running a not funny bit about the fact that you cannot zoom with this prime lens – he keeps on hammering the idea that this lens is super slow. The only problem is… that this lens is actually one of the fastest lens Fujifilm has ever made for the X-series, if not the fastest! That’s the first lens I put in my bag when I know I will need some speed…

Unsurprisingly, this created another wave of discontent from Fujifilm users who knew that Jared got his fact completely wrong about the speed of this lens. His X-H1 review already has a huge number of downvotes (compared to his other videos):

And after having dropped the Fujifilm ball so evidently again, it is likely that his XF90mm video will take the same route…

Sadly, Jared is taking the community’s constructive feedback as fanboyism, saying that people are ignoring the positive things he said about the lens and focusing on the negative. He clearly misses the point that the community backlash was not triggered by a mix of pros and cons, but by the fact that what he states is factually WRONG. Jared is entitled to his opinions, and I could not care less what type of cameras he prefers to use for his personal taste, however fact-checking is about pure hardcore truth, not about one’s opinion.

As a result of his misperception of the community’s feedback (because of hubris kicking in?), Jared is now considering not reviewing Fujifilm products anymore. Keep in mind that while this could look like an emotional reaction, this is actually a purely commercially-driven thought, as the negative votes his Fujifilm reviews have received weigh in how much algorithms will rank them.

My response:

Fujifilm X-H1: first impressions and who is it for?

When the Fujifilm X-H1 was announced, most of the specifications were already known thanks to rumor websites such as fujirumors. However, while the specs were exactly correct, there has been one major misconception that has prevailed since the first leaks: the X-H1 was supposed to be Fujifilm’s first real attempt at penetrating into the world of mirrorless cameras used for video.

Where did this idea come from?

From the get go, the Fujifilm X-H1 was rumored as being the first body of the X-Series with In Body Image Stabilization. Although IBIS can be useful for still photographers in some cases, the technology comes with trade-offs in terms of image quality that could cause concerns to photographers, but at the same time it is a must to shoot video handheld without the use of a gimbal (in particular with all the lenses without optical image stabilization), hence it is a feature firstly geared towards videographers. On top of that, the X-H1 benefits from other improvements as far as video is concerned, including higher bit rates, internal “F-Log” recording, slow motion in full HD, DCI 4K recording, or a full-fledged dedicated submenu. Finally, the X-H1 will be the first camera from the X-Series proposing the “ETERNA” film simulation that is especially suitable for video recording. That is a long list of video features on top of te X-T2 indeed! However, these features make the X-H1 able to do serious video work, but they still don’t make the X-H1 a camera for videographers…

Fujifilm GFX50s shot with the Fujifilm X-H1
A Fujifilm GFX50s shot with the Fujifilm X-H1 who inherited from its body design

Is the Fujifilm X-H1 indeed aimed at professional videographers?

Note here that the question I am asking here is not “can you create serious video work of high quality with the X-H1?”. The answer to this question is yes, of course you can. For example, look at The Camera Store TV crew and their video savvy friends beautifully re-enact an iconic scene from Michael Mann’s Collateral:

However the correct question to ask when you wonder if this camera is for videographers is rather “would someone who shoots primarily video be more likely than not to choose this camera over a Panasonic GH5?” (or any other mirrorless camera currently popular among videographers). The answer to that question was no as far as the X-T2 was concerned, and is still no for the X-H1 despite of all the aforementioned improvements. More accurately, I should even say X-H1 + extra-grip, because any videographer will need the headphone jack, which somehow is still only available on the grip despite of the larger body, in order to check the audio recording. But even with the extra grip, the X-H1 falls short against the GH5. For example, the GH5 offers unlimited recording time, while the X-H1 has a hard limit set at 30min (with the grip). Moreover, the GH5 is able to record internally in 4:2:2 10-bit, while the X-H1 is still a 4:2:0 8-bit system. The X-H1 also lacks the waveform monitor of the GH5. Overall, this means that someone who primarily shoots video is still more likely to pick up a GH5 over a X-H1. On the other hand, because the X-H1 shares so much DNA with the X-T2 it is before all an amazing camera for still photography, only now it is even better for video.

In fact, if you look at the official X-H1 brochure, while you do get a double page about video, it is still far from overwhelming.

What about the special case of Vloggers?

The X-H1 does not have a flippy screen, so Fujifilm was definitely not thinking about you when they designed this camera. Of course you could always use the remote app on your phone or a small external monitor to frame your shot, but then you also need to plug your microphone, so you are already looking at building some rig that would enable you to put your mic on the hotshoe mount while mounting your phone or monitor on bracket… or vice versa. But honestly, why would you bother…

So who is the X-H1 for?

If you are primarily a still shooter, but sometimes need to create video content as well (something that many clients seem to take more and more as a given…), then the X-H1 is perfect for you. For example if you shoot events, content for websites, or if you are a blogger using both pictures and movies to illustrate your articles (rather than a pure Vlogger).

Then comes also comes personal preference with regards to the beefier body. Personally, I never had any problem with the smaller grip of the X-T2, but if it has been an issue for you, if you are usually working in a fully-packed pit shoulder to shoulder with other pushing photographers or if you are always running and gunning like crazy, then you will appreciate the bigger grip of the X-H1. If you always shoot with the bigger zooms, you will also probably find a better balance between the lens and body.

Ironically, when the first rumors about the X-H1 being a camera for video users leaked, I thought it was not a camera for me and did not really paid attention. Turns out I am exactly the target for this camera… and the only reason I am not pre-ordering one is because the body is completely overpriced in Japan in my opinion. I will probably wait for the unavoidable discounts when the X-T3 is announced later this year…

A few first impressions in no particular order

  • When Fujifilm says they have reworked the shutter mechanism, they are not kidding. They call it “feather-like”, and I find this an acute description. At first when I tried it I was totally disoriented by the sensitivity and softness of the shutter button and it will take some time to get used to it
  • I will miss my exposure compensation dial 😦 You can still adjust the exposure compensation by pressing a dedicated button on the top of the camera while rotating the command dial (similar to the way you typically do it on DSLRs), but I felt like I could not rotate the command dial as much with one thumb swipe than I could turn the top exposure dial in one go, so I find this new system more cumbersome
  • While autofocus has again been improved and remains very fast, when you pull focus in video a smoother (even though slower) change in focus would be more pleasing to the viewer’s eye. Fujifilm has done tremendous work in terms of autofocus speed, I think that it would now make sense for them to put their effort on autofocus smoothness when recording video, they way Canon does it with their Dual Pixel AF.


  • If you shoot primarily video, you might still be better off looking at other brands given the limitations and missing features of the X-H1, despite of all the improvements in the video compartment compared to the X-T2
  • If you only shoot stills, why compromise image quality for the sake of IBIS and pay a premium? Get a cheaper X-T2, or if you already have one wait for the X-T3 to upgrade later this year
  • If you primarily shoot stills but sometimes need to shoot high quality ol video, then the Fujifilm X-H1 might very well be the ideal camera for you
  • If you primarily shoot with the bigger zoom lenses, then you might also prefer the balance using the bigger body of the X-H1 compared to the X-T2

Must-read articles from the archives if you are new to the Fujifilm X-Series

So, with the Fujifilm now officially released, you have decided to take a leap of faith and jump into the X-Series, and you slowly start to realize that you leaving your DSLR at home more and more often. While mirrorless cameras have been trying to catch up with DSLRs in terms of performances, there is still a lot to get used in terms of interface, including some benefits: for example, thanks to the electronic viewfinder that you can magnify, you don’t need to afraid of using manual anymore… As Todd would say, hooray! Anyway, here is a list of my previous articles/videos that you might find useful if you are new to the X-Series:

  • Manual focus tutorial

  • How to use the Fujifilm remote app on your phone

  • Why you should use a UHS-II SD card rather than UHS-I with the cameras that are compatible

  • Take a look at the Instax Printer SP-2

As always, stay tune for more 😉

Dear Peter, don’t click on this link if you are looking for a review of the Fuji X-T2

This post is in response to a comment posted by a reader called Peter on my previous article. I could have replied in the comments section too, but I have a feeling this might be a long paragraph, so I figured I might as well make it into its own blog post…

Dear Peter,

First, I would like to thank you for leaving a comment on my latest blog post. As you can see, I don’t get that many. I don’t get that much traffic either, even though you seem to find my titles similar to clickbait honeypots. I am truly sorry if you felt misguided by the title of my previous article. It looks like you got onto this page several days after I published it, which could explain why. Note that I published this article a week BEFORE the X-T2 was officially released (or even shipped), so I never intended for this article to look like a review (in which case this article would have probably been called “Exclusive X-T2 review one week before the launch!!!!”, the likes of which you can find on the net by the way, and that you can call clickbaits if you so desire).

Like hundreds of people I had some hands-on time with the X-T2 many weeks before it was released (there were many opportunities to do so in many countries, nothing out of the ordinary), and yet I did not spam glorious definitive opinions like others did after shooting at cars “zipping from around the corner” from a parking lot. In fact, I did not even talk about it actually. That would have made for many “clicks” though, as Fujifilm had not yet started to tour the US photo clubs and camera stores, so I probably should have.

But you are right, there is a conspiracy theory behind this article, so let me share it with you. To tell you all the details, this article initially had a different “working title”, because, when I started to write it, the point I wanted to make was different: I wanted to reply to X-Pro2 owners who were crying like babies because the X-T2 had better specs, by writing a post reducing the X-T2 to a beautiful dream, as opposed to the good time I was having shooting with the X-Pro2 during the time  those people were spending complaining from behind their keyboards. However, there was actually more than a month between the moment I started to write the article and the moment I actually finished it. The reason for that is that – when I was not busy working – I was indeed outside enjoying my X-Pro2, instead of typing the blog post as I had originally intended. I even filmed an entire VLOG episode about the initial topic with the X-Pro2, to show that it could also shoot good video footages even though not in 4K (I was eventually too lazy to edit all my footages, while I realised I was speaking too much in the video and I would have bored every potential viewer with my French accent, so I came back to the idea of writing a blog post instead).

As time passed though, the topic on which I wanted to write also evolved, as getting to roughly a week before the release I had gotten fed up with almost 2 months of publi-advertisement without any contradiction allowed, since only people chosen by Fujifilm had the camera.

Now here comes the dreadful truth. The dirty secret. At the same time as I was getting back to finishing this article, I was actually (re-)watching Sergio Leone’s the Good, the Bad and the Ugly for the umpteenth time. Just love this movie. It’s one of my favourite movies of all times! And that’s how I got to structuring my article the way I did and choosing this title. It’s as simple as that. But it’s true that the Internet can some time be wilder than the far west, I will agree on that.

By the way Peter, I received the X-T2 and its battery grips on Thursday this week. I have used it for a few hours since, hence the time it took me to reply to you. Don’t expect to read any review about the X-T2 here anytime soon, as I don’t think that a few hours are enough time to do so (I used to try to create content quicker in the beginning of the X-Series, with the X-E1 for example, because at the time nobody else would care doing it, so writing about them was useful for the people looking for information, but nowadays there are hundreds of Fuji blogs). When I finally put up a review on this blog, I can guarantee you I will call it “Fujifilm X-T2 review”, so that you will know exactly what you will get when you follow the link. To be sure not to missed it, make sure to subscribe to this blog and to follow me on Twitter @balbo42 😉

Sincerely yours.

Fujifilm XF10-24mm f4 OIS R Lens, Unboxing and Sample Gallery

I always like to shoot at the extremes: extreme telephoto, extreme wide-angle, extremely thin depth of field… For me, the lack of a really wide lens was the big missing link in order to make the Fuji system finally complete. And now the gap is filled 🙂

The new XF10-24mm f4 OIS R lens by Fujifilm is a joy to use. It is bulkier and heavier than most of the other X-mount lenses, but as a consequence it feels well-built and solid in the hand. The zoom ring is not as loose as the ones on the other X-mount lenses, which makes it perfect for careful and precise landscape framing: once you have moved the zoom where you want it to be it will not creep by a single mm from this position. Sweet, and as if the lens was built from scratch with the landscape photographer in mind!