Disclaimer: apart from the pictures of the X-T2, all the pictures in this blog post were taken with the X-Pro2, which remains a wonderful camera despite of all the hype you can read about other models 🙂
In my review of the X-Pro2, I concluded that if you could live without the hybrid viewfinder of the X-Pro2, then the X-T2 was probably worth the wait. This was before the official reveal of the specifications of the X-T2 on the 7th of July.
X-Pro2 or X-T2? That is not the question
The official specifications of the X-T2 have only reinforced this idea, as, on paper, choosing the X-T2 seems like a no-brainer. You get the same sensor and processor as in the X-Pro2, but with a few additional perks including:
- Bigger and brighter electronic viewfinder, with less blackout periods between shots when shooting in continuous mode
- Refined autofocus algorithms (coming to the X-Pro2 in October via firmware update), with customizable AF-C settings (think Canon autofocus menus) to better adapt to the situation (NOT included in the X-Pro2 firmware update at the time of writing this article)
- Video mode: 4K video recording up to 10min in-body (30min with the battery grip), with a “standard” 3.5mm mic jack (vs a 2.5mm jack on the X-Pro2), although you unfortunately will need the battery grip to get a headphone jack
- 2 UHS-II SD memory card slots, compared to 1 UHS-II + 1 UHS-I slot on the X-Pro2 (not a biggie for me as I am mostly using the second slot for JPEGs backups in RAW+JPEG mode, so don’t really need the UHS-II speed on the second slot)
- Last but not least, a cheaper price than the X-Pro2
On top of that, you get the differences in design between the X-T series vs X-Pro series, which to my personal taste are positive points for the X-T1/X-T2:
- Mode selection dial, instead of a “Drive” sub-menu. Whith the X-T2, the mode dial includes this time around a much needed position for the Video mode. Why there was none on the X-T1 is a mystery, as if you were not shooting stills in 16:9 JPEGs you could not frame your video properly before pressing the record button…
- Articulated screen. Why the X-Pro2’s screen is not at least a minimum articulated to facilitate shooting from the hip is another great mystery…
The one (and only) reason that would make you want the X-Pro2 over the X-T2 is the hybrid viewfinder. If this is something that you really want, then the X-Pro2 was designed just for you! If you can leave without it, then getting the X-T2 is a no-brainer in my opinion.
While Fujifilm has made (much needed but still relatively) fast improvements in its camera lineup, the company has also up its game in terms of marketing, especially on social networks. Via the Fujifilm X-Photographers programme, Fujifilm has quickly caught with other brands in building a group of talented photographers who became the best ambassadors of the brand.
This is a brilliant marketing technique, because it means that during the (long) time between the X-T2 announcement and the actual release of the camera, the Internet buzz around the camera will be filled by people who:
- are not professional reviewers: they write about their personal experience with the camera but can’t draw any comparison with a wide variety of competitors
- have a relationship with Fujifilm that would not be appropriate for a reviewer
- even when forgetting about this relationship, they are a biased sample: they are Fujifilm users, which means they have already chosen Fujifilm over other brands for personal taste/reasons (well, of course anyone’s opinion on anything will be biased, but in this case Fujifilm selects them for their bias)
- write all these previews and stories for free! What more could you ask for?
The downside of this strategy is that if you overdo it you can inflate a hype bubble – with the winds of “fastest auto-focus ever” and “finally better than DSLRs” – that could eventually backfire when the final product gets released, and the embargo on REAL reviews gets lifted. In my opinion we are getting close to the over saturation with he X-T2, I feel like they gave a pre-production version of this camera to way more people than they had ever done. You would think it is already out (fun fact: my X-E1 review is the most read article on my blog, because most of the photographers we hear praising Fuji today would not care to write about it at the time – with the exception of the few ones who jump into the boat from the start with the clunky X100). I do read all those previews, not because I want to hear how much better the ***insert any new camera here*** is, but I actually appreciate many of the X-Photographers for their personality (always nice and welcoming when you I met them despite of tight schedules) and their outstanding work. I would not love them less if they were not shooting Fuji.
But irrelevant to how much sympathy I have for them, their daily job is to produce beautiful pictures and not to review cameras (they will be the first ones to acknowledge that themselves when they write a preview). Consumers deserve real reviews to make an informed decision, and for their protection I would always call for professional and balanced reviews to be available earlier since the camera is already available for pre-order. Remember that when the X-T1 it had mushy buttons that had to be changed on the next batch of production. Something that you could (only?) read here before the release of the camera (and real reviews), amidst a sea of X-Photographers praising the X-T1 as a DSLR-killer (hum, sounds familiar).
Potential buyers who are being enticed by the HEAVY focus being put on the video capabilities of the X-T2 have nothing to lose waiting for real world balanced reviews to be out. No, the camera is not going to be out of stock forever if you don’t preorder. The video quality of the X-T2 might be awesome. I have no idea. But given the sub-par quality of the X-T1, there is no reason to blindly believe Fujifilm when they say they have suddenly found the magic formula for video with the X-T2. Until the final camera is in the hand of independant reviewers, caution is advised.
Again, I love the work of X-Photographers, I am just saying that consumers need to take a precautionary pinch of salt against the hype, and keep their expectations realistic. However, there is one thing that drives me crazy: reading interviews explaining that this camera did not get this feature available on another camera because the photographers using this camera told Fujifilm that street photographers don’t use this or that while this camera is targeting them… and then couple years later when this feature finally makes it on the successor of this camera the SAME people will write posts on how much this is fantastic!
This idea that you can put photographers in hermetic silos depending on what they shoot is plain stupid. If your camera designer does not want to put an articulated screen on the X-Pro series for design/cost reasons, obviously don’t put one. But if you are not doing it based on the fact the tiny sample of street photographers you talk to never shot on a camera with one, then you are doing it for the wrong reasons: if they don’t want to move their screen, they can just leave it the way it is! Meanwhile different people could use the option extensively.
The current example of that is the lack of a touchscreen on the X-T2. Brainstorming meeting in Fuji HQ with a small sample of X-Photographers:
– Shall we put a touchscreen in the X-T2?
– Nah, touchscreens are for amateurs and we are so scared that we could change a setting with our nose touching the screen that we cannot be bothered to turn the option off for ourselves while letting it available for the rest of the world to enjoy.
Fast forward to 2018, the X-T3 will come out with a touchscreen and the same people will start their previews on their blogs by saying how the touchscreen is a revolution and so intuitive because we have been using smartphones for 10 years…
Just a bit more patience
Anyway, in a week from now the wait will be over and the hype will slow down. The X-T2 will be shipping to my home. I have been using the X-Series for many years now, so my expectations are based on the previous products I have used. I am not expecting a game changer, a DSLR-killer, the fastest auto-focus in the world, etc… No camera is perfect, and spoiler alert the X-T2 won’t be. Just a camera… Find a brand/system that you like, whichever is good for you, so that you can only focus on what really matters. Shoot portraits, shoot landscapes, document your travels… Just focus on enjoying whatever camera you have and on having fun with it. Well, until it is time to fancy on the X-T3, and round and round we go 😉